Counter-Culture: Then & Now
Monday, July 19th, 2010When the writing of this piece began it was on the Earth Day celebration some forty years after its creation. This in turn was but two days after the annual 4-20 celebration when so many participated in the joy of smoking marijuana. These are results of the Counter-Cultural legacy, still alive, healthy and active if not always apparent in the headlines.
In deserving lengthy studies and not just a short piece, it will have to do here, even as some would suggest that this was the significantly positive cultural revolution of the past century.
Of this historic movement the first three active terms that come to mind are Beatnik, Hippy and Social Revolutionaries, the former leading to the latter. The earliest primarily applied to the world of letters and arts beginning with Kerouac, Ginsberg and Gregory Corso, as well others, with the latter offering that “By avoiding society you become separate from society and being separate from society is being BEAT.” We then find in a November 1952 article of the New York Times Magazine the title “This is the Beat Generation.” As one writer explained, “It involves a sort of nakedness of mind, and, ultimately of soul,…a feeling of being reduced to the bedrock of consciousness.” For Ginsberg, “The point of Beat is that you get beat down to a certain nakedness where you are able to see the world in a visionary way, which is the old classical understanding of what happens in the dark night of the soul.” Others, like the jazz talents Charlie Parker, Thelonious Monk and Miles Davis, as well humorists like Lenny Bruce would hang out at coffee houses and say ‘Dig,’ ‘Cool,’ and ‘Crazy.’ As William Burroughs once noted to Ginsberg: ‘The most dangerous thing to do is to stand still.” It is no accident that he also stated that “In the U.S. you have to be a deviant or die of boredom.” Existentialism had finally arrived on these shores
Something historically had happened that altered our assumptions, perceptions and values, at least for a good number of the young. This past century has been called one of decay and sometimes even one of annihilation. The Great War of 1914 (rooted in the Spanish-American War of 1898) concluded its first chapter in 1918 with people afterwards playing with parties and dances and feeling euphoric; whatever else, there is little to bemoan. Still, many never returned home, expenses were high with no point at all in that “war to end all wars.” Yet this was only a preamble compared to the arrival of the Second Chapter, ending with the Atomic Bomb and discovering rational people responsible for Nagasaki and Hiroshima as well as camps like Auschwitz and Buchenwald . This proved to be a different and difficult reality and it hit so many veterans so hard on returning that they a drove to education by way of the G.I. Bill and drink for comfort followed by a population beginning to consume more and more, from Levittown, Pennsylvania to films stereos and television as if there were no tomorrow. For some observers, it would appear that we were entering an age of nihilism.
The revolution in the media had played a major role in the cultural changes occurring not only because of radio but movie theaters packed with people on Wednesday dish night and between the double feature, news reels of the war in “bringing the war back home,” as the song said. Top this off with war bonds followed by televisions later with up-to-date items like watching the explosion of the hydrogen bomb. The world of the depressive thirties dramatically had changed into something no one could anticipate or understand except those few who stepped outside, to someplace where living was not of and by the rich and dominated by right-wingers from Senator McCarthy and the John Birch Society to the war in Vietnam that left little room for good conscience in the land of extremism. From the state slaughter of innocent peace-nicks in 1970 to eleven days later at Jackson State College and the police killing two black students, the path was clear—go crazy (i.e. normal) or go free. For some observers, it would appear that we were entering an age of nihilism. When there is nothing more to believe in it is time to turn to the development of the self and one’s creativity.
This was the tapestry that introduced new perceptions, a counter to those days of madness, with a desire for equal rights, as well movements like S.D.S., N.O.R.M.A.L and S.A.N.E. At play were other forces as with the personal experiences of those who began to participate in this cultural revolution, each story unique and to be experienced on the basis of that person’s biography and a larger body of artistic places than offered here. For now, it is a time to tune into the new, fresh and uncomprehensible change from those straights who had created and knew they owned this mad world while Burroughs offered The Naked Lunch, James Dean “The Wild One” and England, “Angry Young Men”.
From the new music of the black jazz musicians to the post-realist painters like Andy Warhol and the writings like Kerouac’s On The Road a new mental and emotional explosion outside of the past and tradition was being (and is still being) created leaving the Great Wars, Cold War and War on Terrorism behind. These were the true drop-outs that made a splash because of their talent and impact. From the East Village of N.Y.C. (The Village Voice) to San Francisco (The City Lights Book Store) a collective spirit began a profound effect on the minds of many of the young. Going beyond the Avant Garde now with drugs, free love acceptance of all sexuality, secular thought and blacks and woman as equal there was something both startling and, for the establishment, something very frightening about this total freedom of expression and activity. Hitch-hiking or jumping trains to where ever one would go, including Europe; dropping out of college as well the system, and openings like William Burroughs experimenting with all imaginable drugs (and some not so imagined) , these were not to be thought the proper behavior for The an in Grey Flannel Suit. A massive division was being born like none other in our history.
These were people who lived for today, the present, since there was no tomorrow for the existentially alive in the Atomic Age of wars. They accepted a universe that was chaotic and absurd with a joyful liberation while embracing poetry readings at coffee houses. Americans were seen as passive in their materialistic obsession and trapped in their compulsive attachment with electronic and mechanical engineered products. The anti-establishmentarians were by choice, outsiders.
There was something of a heritage, or better, some varied roots, to this challenging change. A number of these earlier thinkers and artists can be read about in Colin Wilson’s The Outsider (1956). It only need be noted here that many others from Sartre to Camus were already looking beyond the tradition of foolish faiths and western reasoning for a new exploratory place for existence. Starting in the nineteenth century, a growing number of talented individuals from poets like William Blake, Baudelaire to thinkers like Nietzsche were creating non-conforming realities. The world was shrinking and the thinking was growing. It is no accident that there was an artistic independent move associated with the word Bohemian that continued into the post war years.
We now find long hairs, goatees, women (‘chicks’) thin with long straight hair and rather pale makeup drinking espresso in coffee houses while listening to jazz and live poetry readings. No longer a standard of conformity was being faithfully followed.
Here it should be brought forth that the subject of a counterculture is really three forces that came to interplay—the Beats, the earliest; Hippies with civil rights and peace movements; and finally the whole earth and ecological movements. The overlap can lead to some confusion but it should be noted that the first and fundamental element of all this was the idea of a drop out of this western consumptive and violence driven society that seemed increasingly more inclined to worship death and greed than any beginnings of original creation. Here was an affirmation of living humanism, whatever that may mean to any particular being—animal as well as human.
Liberation was not a passive term any longer and it was earned by creative action, first in writing and music followed by a larger horizon well away from the growing boredom, its redundancy and the passivity that was all too obvious. First we begin with:
BEATS
This has become a small planet as WW. II proved. Beats were known to travel to other lands and even live there while writing as with William Burroughs in Tangiers and writing about Buddhism. It was no accident that Ginsberg was attracted by the thinking of the Buddha and that yoga and meditation now made its dominating presence felt. Our post-World War II world was replete with refreshing thinking and ideas that took the young into a global frame of culture and ideas as it now was a land of existentialism, drugs and jazz driven by bohemian nonconformity favoring personal identity over society’s superego drive for conformity. It is a significant set of circumstances that at the time that Allen Ginsberg and Jack Kerouac were in Tangiers, Lawrence Ferlinghetti was awaiting trial for obscenity in his publishing at the City Lights Book Store of Ginsberg’s Howl as was Kerouac’s On the Road being published at the same time on the east coast. The mid-Fifties were traumatic for the establishment who feared the unknown that others embraced. Lenny Bruce, the famed humorist of the era, was also tried for obscenity in San Francisco which ironically today is seen as a haven for the unusual and unique personas.
It was in 1957 that Howl and then Road were put on trial to no avail except perhaps making them both much more significant. Howl was compared to The Waste Land by T.S. Elliot who in his poem The Hollow Men suggested that “This is the way the world ends, This is the way the world ends, This is the way the world ends. Not with a bang but with a whimper.” This poetry was matched by the hit that the Road made when it was declared that it will be known as the Beat Generation novel while being on the best selling list for 5 weeks—the revolution had officially taken effect both nationally and internationally with both German and Italian publishing rights. Ginsberg said it succinctly when noting that “Nobody knows whether we were catalysts or invented something or just the froth riding on a wave of its own. We were all three, I suppose.” Was Kerouac happy about this? Perhaps, at first, but later he noted that “Too much adulation is worse than non–recognition, I see now.” And Ginsberg turned to Buddha even to aiding in Colorado a place to study where one could expand one’s one inner self into new realms of discovery. Fame and fortune is for the living dead not the creative living.
Perhaps a specific could help the uninitiated to better gain a feel for something that cannot in fact be adequately explained, especially by someone who was there: for the old slogan is that “for one who was there they cannot tell you what happened, and if they do, it is wrong”: For good reason—too much, too fast, too beyond and too existential. The quote here offered is from On The Road:
“… the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a common place thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes ‘Awww!’”
Needless to say these were people who often were referred to and welcomed such referrals as the “mad ones.”
HIPPIES
Beat, beatnik, beatify, beatification, and so one; the term has its place in the history of western arts as both confrontational and revolutionary. Rooted in the revolution of literature, art and music at the end of the nineteenth century, this was one more, an American contribution to a new mind-set, something born out of the post-war boom years for an odd number of baby boomers.
While Beat, also known as beatniks and beatitude gave rise to hippy or hipsters, this was a thousand times more problematic to define for anyone, including those who might want to think that they belonged or belong or might belong. This is a break off of the beats in some sense as these became hippies, bippies, flippies skippies or maybe dippies, although in time clearly something like groupies.
After the end of the Second Chapter of the Great War these dropouts turned to existential living, drugs and the new genius of music, jazz. Inclined towards a bohemian life and nonconforming they were ready for the Beats as they marched on a stage they created where as hippies they would first join and be supportive and then move on. A quote from the beginning of Ginsberg’s Howl might enlarge the picture:
“I saw the best minds of my generation destroyed by madness, starving
hysterical naked,
dragging themselves through the Negro streets at dawn looking for
an angry fix,
angel headed hipsters burning for the ancient heavenly connections to
the starry dynamo in the machinery of night,…”
The reference here of those hipsters reminds us that the term “hipster” had roots that preceded the beat movement, going back to the beginning of the century where the bohemian life style had its beginnings. While the beat world was a sea dominated by the ship of creative writings, music and the arts, the hippy was a more popular, embracing an ocean of many of the young who wished in the early years to be associated with the literati and the music by the Beatles, the revival of folk and singers like as Simon and Garfunkel and Buffalo Springfield. They soon became more a collective of long hairs (and the musical Hair), beards, tie-dye clothes and finally rock-and-roll where one could join the dance floor and have sex by osmosis. The sexual revolution began before the pill of 1970 and homosexuality was now given rights of passage further than by those like Burroughs and his Naked Lunch. Guitars became hot and “love is all you need” and “looking for someone to love” replaced in those early years of the “Me, Me, Me” generation. We now had communes with people driven more by profits and a passive/leisure life as well a commitment to peace rather than militant frustration as groups named themselves: The Grateful Dead. Existential was here and alive while often found in coffee houses. From Catch 22 to American Pie there was offered an alternative view of living and embracing its riches on an unheard of large scale.
This was a world where drugs became a central participant along with the art of humor from Lenny Bruce to George Carlin and recordings like those of Ken Nordine and Firesign Theater—both unique kinds of drugs to aid in the exit strategy that so many of the more prosperous young longed for. Remember that prosperity had come to the States and with it time and leisure for the young as they took advantage of it completely with sex to drugs, especially the move to more divergent drugs. Marijuana was the most favored by most of the beats. Benzedrine helped these writers in the earlier years to break through the narrows of daily living while the second part of Howl was written on a peyote trip. When Ginsberg entered the world of LSD he found it “perfection” and in 1960 with the guidance of Timothy Leary he entered the world of psilocybin mushrooms. No surprise that Ginsberg would enter the early years of political demonstrations after a one year trip to India where he embraced another alternative view of reality. From Eastern mysticism to yoga, vegetarianism, organic foods, commitment to peace and more the sixties expanded the horizon introduced by the Beats now labeled Hippies, the world of Leary where the slogan became “turn on, tune in, and drop out.” His ally at Harvard, Richard Albert, went further, turning to the orient, changing his name to Ram Dass and offering his book: Be Here Now. The world now had no doors closed and with Ginsberg going political the picture even enlarged.
POLITICS, SOCIETY AND ECOLOGY
This post-war period was an era of crises, from Korea and then Vietnam, only to be running along side racial, feminist and ecological growing demands for recognition. If the Hippy world seems rather problematic in defining from rock to the age of Woodstock, the era of demand for public change was and is even greater and can today be more confusing. The hippy counterculture events continue today with the annual “Burning Tree” gatherings, but it is more than the new music of the Beatles and their legacy, open sex and freedom of drugs since the right wing political atmosphere was simply expanding beyond expectations. Although the march for equal rights and peace is far too long a subject for a fair treatment here, there was along with Beats and Hipsters the civil rights acts of the sixties tied to a peace movement that could engage the national establishment in Chicago with political stands against war, racism and sexism with the nomination in a park of a pig for president which was then to be eaten. Draftees were applying for asylum just as today many who are doing the same, although not drafted, first doing what was thought best but discovering by way of their experiences in Afghanistan and Iraq another story. For those of us who marched, the crisis was and in some ways still remains potentially dangerous, one where we do not know if there will be peace or an effort to repeal the Civil Rights Act. This has been and is a deep ditch we have yet to climb out of as the oil spill in the Gulf demonstrates.
Yes, for some this may seem to be coming to an end, while the left-over Beats and Hippies remain part of a counterculture still alive especially as an environmental movement. From the Whole Earth Catalogue to the movement for an earthly positive policy we have seen the beginnings of something that will have longevity rooted in the counter-cultural’s place in history. Climate change is too dangerous a phenomena to leave to debate by the establishment which has an interest in profits, today and tomorrow. But there are many other examples, such as the issue of what we buy and eat. These environmentalists have been recently called upon to aid in a move to undermine the power of the corporations in the branding products that are no better and just more expensive than other products. One can read Naomi Klein’s No Logo: (10thAnniversery Edition) to follow the arguments for good common sense and a more ecological balance of consumption. It is little wonder that the far Right politically and economically oppose those doing such as they were angered by the two groups noted above, often referring to them as bums, liberals, communists and Nazis—no one can call these establishment folk literate. The simply revolutionaries are people who push for more organic foods and more natural ways to live - not good corporate business practices. The conflicts continue because basic issues of conformity and abuse continue. Whether climate, water, food or growth of our population, this is more than communes, moving now into a planetary crisis where everyone has a vested interest in the outcome.
From poetry to energy, creative writing to good diets and from realizing that too many are rationalizers and not reasonable, the future awaits those who understand the long road, beaten but not defeated, that so many have embraced outside the mainstream of the pathetic traps that are not necessary. The doors have been opened by those before us.
Now what?
PAX/LOVE